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Avion en papier

Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we will no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.

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Kent du Pre has Origami Flower Ball done such focus on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, but the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course strongly related to paper slicing. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami Crane Easy Origami.

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Uchiyama is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to offer enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other Origami Easy Heart to avoid the complexities of a model achieved solely by folding.

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The cutting out of holes etc. to indicate eyes and so on is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and evidently here we have an open-ended Art form. Supporting A way of moving away

from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form organic beef use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that We am familiar with is by Toyoaki Kawai.

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Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one Avion En Papier Planeur Record can be certain of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper appears to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of wet moulding using paste in the preparation is discussed by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds up tend to be gentle and we are approaching sculpture rather than Origami.

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In the most extreme combos of water and document we are, of course , in the world of papier-mache which is evidently an open-ended art. DecoratingThe simplest step from a single colour is one side colored and one white or plain. A great offer of modern Origami uses this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A

more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.

Bateau en papier

The particular associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are Avion En Papier Pliage Simple folded together but usually opened at the finish to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of papers each folded to symbolize some part of the animal and then brought collectively. The theory may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a monster from a quantity of pieces of different sizes.